Russian Romances
Oleg Pogudin,
voice
Mikhail Radukevitch,
guitar
Vadim Repin,
violin (12)
Recorded at Petersburg
Recording Studio. St. Petersburg, 1991.
1.
Your Green Eyes (B.Fomin/K.Podrevsky)
2.
Happiness Has Gone Forever (N.Harito/V.Shumsky)
3.
We’re Only Aquentances (B.Prosorovsky/L.Penkovsky)
4.
You Ask me For Songs (A.Makarov)
5.
Small Live Coals (B.Prosorovsky/N.Vilde)
6.
Times Will Change (B.Borissov)
7.
I Walk Out Alone to The Road (P.Bulakhov/M.Lermontov)
8.
Awaken Her not at Dawn (A.Varlamov/A.Fet)
9.
When I Met You (The Unknown Composer/F.Tutchev)
10.
You’ve Forgotten (A.Oppel/P.Kozlov)
11.
Stars in The Sky (B.Borissov/E.Diterichs)
12.
Shine, Shine, My Star (P.Bulakhov/V.Chuevsky)
Another references
about O.Pogudin, placed on the cover of the disc:
“Oleg Pogudin
sings with full sincerity: his is the voice of the heart. He is artistic
and has a natural sensivity, a unigue timbre and a subtle musical taste
that is entirely appropriate to these romances. We see in Oleg an outstanding
musical personality and our mutual, true friend.”
Marina
Shagutch, Anton Baranovsky, Alexander Melnikov, Vladimir Mishtchuk, Vadim
Repin, Laureates of international competitions
“Among the
romances sung by the young singer Oleg Pogudin there is one called 'Happiness
Has Gone Forever'. It was composed by my brother Nikolaj Harito, untimely
deceased at the beginning of the century, who was the author of very popular
songs as 'Chrysanthemums', 'Shades of the Past', 'Autumn Asters' etc, about
fifty all in all.
I consider Oleg
Pogudin's performance to be an ideal one. This very manner of singing was
the custom among my brother's relations, friends and acquaintances. He
himself sang in this manner, very cordially, with great faith in people
and human passions, without a bit of pose or desire to deceive the public.
The romance is truth itself, and it can be sung properly only by a good,
upright human being.
I am astonished
and very glad to know that the youth of nowadays remembers and loves romances
and feels them so right and true.”
N.Lavrovskaya
“Surprisingly,
in the nineties, a yound man sings Russian romances as if they were composed
not a century ago but today, and for him personaly. His singing is not
at all affected or stilted but expressed a full, unselfconscious faith
in the songs and in humanity.
Oleg Pogudin,
22, being an actor by profession, graduated from a theatre institute and
has played his first season at St.Petersburg Gorky Drama Theatre. He has
had no cruel experience of army service or on a faraway building site but,
as we all have, he has had another experience no less significant: he is
a continuing witness of the new Russian revolution, and is constantly adjusting
and coming to terms with this rapidly-changing situation, and trying to
respond to it appropriately.
He has a broad
repertoire in various languages, but it is his Russian romances that are
central. The sympathy between the singer and his material is astonishing:
Oleg's identification with these romances is total. That is why a certain
circle of friends in St.Petersburg, all professional musicians, always
listen to Oleg with close, critical attention. And these musicians, though
young, are informed and discerning judges, being themselves prizewinners
in international competitions and performers in concerts world-wide. Moreover,
one of the romances recorded on this disc also enables us to hear the violin
of one of them — Vadim Repin, an outstanding musician with a rapidly growing
international reputation — and there is a unique partnership. Vadim Repin
does not merely accompany Oleg Pogudin: voice violin partner each other
on equal terms.
For many decades,
Russian romances have enabled performers to inspire pure and generous feelings
in the souls of their listeners. Then romance was taken by force from the
youth, and subseqently was totally displaced by an imported mass culture.
Life, however, has moved on, and the future will no doubt bring a mighty
revival of interest in and love of romance, one of the sources of the spiritual
life of man. Oleg Pogudin is one of those initiating this revival.”
/.Jvanovsky,
president, the Swedish Club
